He is the Chairman of the Autodesk Authorized Training Center (ATC) Leadership Committee. Feineis is actively involved in a broad range of activities with clients by providing training, production, consulting, implementation, customization, management and strategic planning services, sales support, seminar presentations, account visits, user group presentations, product testing, and miscellaneous technical services as required. In addition to providing eLearning and instructor led training, CAD Training Online develops the training for Autodesk, Global eTraining and several other global training providers. Feineis is a founder and a Managing Partner of CAD Training Online, one of a handful of Autodesk Authorized Training Centers that is authorized by Autodesk to provide instructor-led training via the internet. In addition to assisting customers in implementing Autodesk AEC platform products, he has also consulted globally with Autodesk and was a co-author of the AutoCAD Certified Associate and AutoCAD Certified Professional examinations. Feineis has personally trained over 7,000 people on the use of CAD and BIM in the architecture, engineering, construction and manufacturing markets. As an Autodesk Certified Revit Instructor (ACI), CompTIA Certified Technical Trainer (CTT+)and Autodesk Certified Examiner (ACE), Mr. Having been involved with Autodesk software since AutoCAD 2.6, Rick Feineis has over 22 years of experience training designers on the use of CAD and BIM software.
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If you value what you get from Mother Jones, please join us with a tax-deductible donation today so we can keep on doing the type of journalism 2021 demands. Today, reader support makes up about two-thirds of our budget, allows us to dig deep on stories that matter, and lets us keep our reporting free for everyone. If you value what you get from Mother Jones, please join us with a tax-deductible donation today so we can keep on doing the type of journalism 2021 demands. This shift in strategy comes at a time when ISIS is losing ground, not only on the battlefield, but in the online arena as well. Mother Jones was founded as a nonprofit in 1976 because we knew corporations and billionaire owners wouldn't fund the type of hard-hitting journalism we set out to do. That’s likely to continue.īy signing up, you agree to our privacy policy and terms of use, and to receive messages from Mother Jones and our partners. The group still has tens of thousands of fighters. () Anbar News reports revealed, that the ISIS organization burned its fighters alive as a punishment for losing. ISIS has adapted to its losses, returning to the guerilla tactics it used in the past, like targeted assassinations, bombings, ambushes and raids. They may be the first terrorist group in history to master social media, but on the ground they’re losing. ISIS burns its fighters alive for losing Ramadi to Iraqi troops. They’re surrounded by enemies on all sides. Their oil infrastructure has been badly damaged and the global glut of oil makes it a lousy source of revenue anyway. They’ve lost large amounts of their territory. On a more serious note, this really is a sign that ISIS is not the unstoppable juggernaut that the hair-on-fire brigade insists it is. The only thing missing from this memo is a declaration that they’re planning to hire McKinsey to help them streamline operations and get back on track to meet FY16 business plan projections. But both al-Qaeda and ISIS have a bureaucratic streak that it’s hard not to laugh at. ISIS is such a hideous group that it’s hard to find anything about them funny. “On account of the exceptional circumstances the Islamic State is facing, it has been decided to reduce the salaries that are paid to all mujahideen by half, and it is not allowed for anyone to be exempted from this decision, whatever his position.” Here’s the core passage from the document: The document was first reported by researcher Aymenn Jawad al-Tamimi on his personal site, as part of a broader cache of documents he acquired. Zack Beauchamp passes along a new leaked document that chronicles the latest travails of the ISIS high command:Īccording to the document, ISIS is being forced to slash salaries for its fighters by half across its holdings. Sign up for the free Mother Jones newsletter. Get a daily recap of the facts that matter. While Iraqi forces ran away, the Kurdish forces - known as Peshmerga - grabbed the city of Kirkuk and its vast oil fields.Fight disinformation. But the Americans have gone and ISIS has ended the illusion of Iraqi unity, leaving the Kurds free to declare their lands as their own.Īs ISIS fighters marched through one Iraqi city after another last summer, Iraq’s army withdrew in advance of their arrival. war in Iraq, the Kurds were constructive partners in a fragile three-way government with their Sunni and Shiite neighbors. Now, at last, that dream seems within reach.ĭuring the U.S. Kurds spent the past century demanding, fighting and dying for the right to a free and independent homeland. Kurds, who make up about 17 percent of Iraq’s population, are members of an ethnic group often referred to as “the largest stateless nation.” Their historical homeland is divided between Syria, Iran, Iraq and Turkey. is key to achieving their ultimate goal of independence. The Kurds believe that a strong relationship with the U.S. Erbil - the Kurdish capital - is unique in being an Iraqi city where you can see American flags hanging behind the cash registers at shops and restaurants. This eats up valuable time and you end up having tons of effects attached to every clip on the timeline. Shotcut has me going into the effects bin to assign rotation and scale “effects” to perform these operations. I should be able to click a clip and immediately edit the scale, rotation, etc. For example, transformation tools, in my opinion, should be inherent properties of all video clips. I’m not a big fan of editing software that requires the use of effects for everything. I am guessing that they are buried in the effects area. I could not find any transitions in my hour time limit. Some cool items of note that are in Shotcut are the ability to turn on color scopes and essential audio effects like compression which allow for you to add the polish you will need to your videos. I tend to use as many windows and monitors that I can, so this kind of interface doesn’t work for me. There may be other ways to configure your workspace that I am not aware of. Once again, this is a single screen interface where the clip preview and the timeline preview share the same window space. Video on top and and audio on bottom unless the clip is combined a/v. Shotcut uses a more traditional timeline layout. Shotcut is a free, open source, cross-platform video editor. Still, I would recommend looking elsewhere. But if you are new to editing, OpenShot may be easier to digest. Certain features require looking at the tutorial to master. The video and audio stuttered on the timeline.Ĭoming from a Premiere Pro background, I found OpenShot very difficult to adjust to. With my machine (a Mac with an AMD Radeon VII and 32GB RAM) I could not get smooth playback. To do any animated text you’ll need to know how to use Blender, as OpenShot supports animations created in it. Extra steps like these only increase the amount of time it takes to make complex text overlays. svg file is generated which you can then overlay on your video. OpenShot has a somewhat constrained text editing process, where text is created in a separate window and a. Text editing is always the hardest part to implement cleanly in any editor. Frame accurate editing is available, but requires an intermediate dialogue pop up to dial in numbers. Auto snapping features didn’t seem to be on by default. The interface rewards a very “loosey-goosey” way of editing, where accuracy isn’t the focus. Using it further, it looks like OpenShot is geared towards super simple workflows. I couldn’t figure out a way to make it work. Having two different windows to view clips and the timeline simultaneously doesn’t seem to be available, although I could be wrong. I prefer them to be in separate, visible windows. Things started to get a little hairy when I discovered that my clip preview and the timeline sequence preview share the same window. My initial assembly process was fairly smooth. My initial fear is that an interface such as this could get very confusing with larger projects, with many clips all over the timeline. They are simply elements that can be “stacked” on top of each other. Tracks aren’t divided into video and audio. It has a sleek looking interface and a somewhat unique timeline interface. My first impression of OpenShot reminded me of iMovie. OpenShot is a 100% free and open-source video editor available for Mac, Windows or Linux. Without further ado, let’s look at our group of totally free apps, starting with… Additionally, what audio effects were available like noise reduction and compression. I also looked at what kind of color and sound sweetening (if any) were available. These include creating an assembly, adding transitions, adding music, placing a voiceover, adding graphics and text. The project consisted of what I consider some basic tasks that show up in many videos. I used the exact same assets and gave myself one hour or less to produce what I could. I intentionally skipped any and all tutorials and just jumped right into the creation process. My method was to download each application and fire it up. In-app purchases for more features, a trial period that expires, or a watermark that appears until certain actions are taken. “Mostly free” means, although you can download the app and use it, there may be costs involved. Other than that, there’s no obligation for you to pay. The creators intend for the program to remain totally free for use with maybe a donation link or Patreon. “Totally free” means the application is free to download, use with no license issues, in app purchases, up-sells, etc. Adobe Rush and DaVinci Resolve we will mention at the end. For “mostly free” we have VideoPad and Hitfilm Express. Under “totally free” we have Open Shot, Shotcut and Olive. I’m separating the apps into two categories: “ totally Free” and “ mostly free”. Note: It is a good idea to have the Double power-up when you are attempting to get the costume. You can get the Bruno costume when a maid comes out of a secret room, hands it to you, and wishes you good luck. Bruno costumeĪccumulate over 70,000 points and play on the "Sin" level in original mode. A Rogan Costume and an Infinite Credits item will be in the room. Complete the game and enter the bonus room at the end. Rescue all civilians except for the second person on level 4. Rogan costumeīegin a game in original mode and select the 2.0 Bullets and the Double Score items from the trunk. Towards the end of the game, when the last door is opened, Goldman will appear like a zombie. Play through the game and shoot every hostage and try to get the lowest score possible. Goldman zombieĮnable the "Infinite credits" bonus. Successfully complete original mode to unlock the Goldman costume in the trunk of the car in the next original mode game. Successfully complete original mode to unlock a selection for blood color on the options screen. Use a controller in port two to play as Gary instead of James in single player mode. Successfully complete survival mode in House Of The Dead 3 to unlock House Of The Dead 2. This works best if you have unlocked the free play option for House Of The Dead 3. Every time you do this, you will get new items for original mode. Complete House Of The Dead 3 again to repeat the process. Shoot all the enemies as quickly and as accurately as possible to get items for original mode in House Of The Dead 2. On the way down, the door will open a couple of times. You will take an elevator down to House of The Dead 2. Successfully complete House Of The Dead 3, then go to House Of The Dead 2. Alternately, play well and get better than an "A" rank one or more times during the game at the point where you lose all your credits. You can now increase the credits past nine until "Free Play" appears. Enter the options screen and select "House Of The Dead 3". Successfully complete the game with an "A" rank.
Midge to Donna: "Oh honey, men don't control the world." I love that line. I can see from this angle that it is NOT exactly the same, although I can tell it came from the same line from the same manufacturer. Re: my comment on Ep 103 about the kitchen light. Tilting the camera angle of the room to make the table look level. She is seen wearing the shirt in subsequent episodes of the show in later seasons.")Įric: "I'll leave the light on, I don't want you to GLOAT in the dark" lolįez: "Whipped like the family pig." Kelso: "I am NOT pig whipped." LMAO However, at the start of a season one episode, her shirt says "JSB" (Jackie "Something" Burkhart) this is perhaps an attempt to cover up her real middle name. (I was curious, so I Googled it and Wikipedia gave me the answer: "Jackie is mortified by her middle name, Beulah, which is revealed in a Halloween episode. what does the "S" stand for, since we learn later that her middle name is Beulah? The way Eric and Donna talked, they were already "boyfriend/girlfriend"-all that end of an era stuff, but they had only had the one kiss on camera.Įric "benefits" from Red having all that extra time on his hands, and Red WAS keeping score!Įven when I was playing basketball, I couldn't have done 100 squat thrusts!Īll in all, it's the weakest of the first four, I think, but still enjoyable. Kelso implies he and Jackie are farther along in their physical relationship than they were. Kitty, on the other hand, is subtle as a sledgehammer. "We'll sit on the floor like those nice Japanese people."ĭonna can't throw the game gracefully. Kelso covering the wrong end of the phone is classic.Įric should have stuck with his excuses and NOT played Air Hockey. The wisdom of Midge shines through: "Oh honey, men don't control the world." "You can tell all your cats how you won a basketball game." The first appearance of the basketball court? I don't remember it in the first two.Īnd the melon rolls off the table at Red's at Bob's, they use the sugar packets. Deer caught in "headlights," as it were.Įric and Hyde made smooth Biblical transistions to cover the real conversation, but Kelso.not so much! The P on PLAYBOY was blacked out, and notice the looks on Kelso and Forman's faces when Hyde opens the magazine. Pam Macy makes her first appearance, by reference. Sorry-fend for yourself to find a better one! The link I posted has an annoying music track on it before the first opening credits. Random thoughts on THE BATTLE OF THE SEXISTS: |
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